Friday, June 25, 2010

MALE FLOWS OVER FEMINITY

Woman who got a raw male substance is unpredictable. Whatever they do will be celebrated by the heart of world. Identifying male is feminity, in its raw sense. The life of raw never finds adjectives to express but goes at the verge of all experiences. They know that the ripe fruit only can fall. Acquiring energy by the practice and improvisations to liberate is art. Tonight I have met one woman who is getting ready to be liberated at the peaks of her emotional vibrancy. All performances are happening in terms instructions come out from unknown organic substances of human body. It is real beyond all supporting adjectives and no compromise over this matter to turn as something weak for standing without supporting adjectives. Maidhili prakash will be a standing memory. Last beat of a musical piece is the point of memory to return back to the real hearing at any time we want. Last drop of drinking water across the inner road of us to pass is the point of individual existence which is alone. At there the term and reality, “thing of past is being started’’

days gone in search of

01/11/09 Sunday

TWENTY FIVE YEARS AGO, THE NATION CRIED OVER NATIONALITY

It was a better day for me to begin. Punching the dates in letters with its emotions and intellect is beautiful but strenuous for all. But I am beginning to tell all of me, to me. A small about the valley of time which I belong can be reproduced by this. Identifying events and turnings in terms of newspaper view is the fate which any one faces. The reflection of news in visuals and letters fluently follows as the reaction of humans. Over the losses and remunerations of me, I am standing up to reflect the matters radiantly from me. These are the Speculations on the last handful of hours those passed just before. The day began with the hopeful call from Alice to wake up over the light. Newspapers confidently and shamelessly repeated the history in its usual rhythm. But today, over the pages tears was spread, strangely. Yesterday was the day of Mrs. Gandhi’s farewell and today, of horror over Sikhs at power city Delhi. Twenty five years ago, Nation cried over nationality. We try to remember it just as a past happening with no historic relevance. But this happening has been continuing as a day, a nation remembers with the shades of gloom just because of an emotional reason of death and charisma.

sex and politics

Ce-£³ kvs]jyÂ; hmWn`þdnt{Sm

Fw.Pn. A\ojv

A[nImc¯ns³d bpàn`{ZXbv¡v thWw Hcp s]¬s]mena IqSn. Zmkn¡v ap¶nse KÀÆpw dmWn¡p ap¶nse \nKqVamb IogS§epw HscmÁ A¨n hmÀ¶phoWXmWv, AXpkXyw. ]t£ ]mÁbv¡pw ]gpXmcbv¡pw Ds­¶phcptam thgvNbv¡nSbnepw Hcp AcntÌm{ImÁnIv KÀÆv. ]t£ tI«dnhpIfpsS kpXmcyXbv¡¸pdw A[nImcaµnc¯ns³d hmXn¸mfn¡p ]n¶nsehnsStbm Hfn¨phbv¡s¸Sp¶ Hcp hne¡s¸« I\nbmbn s]®v cq]m´cs¸Sm³ XpS§ntbS¯ph¨mWp Ifn Imcyambn XpS§nbXv. Imcy§Ä A¸Sn hjfmhm³ XpS§nbXv.

A´x¸pc§fpsS DÅdIfn Hcp inYneXbp­v. Iq«nsImSp¸ns³d sh«n¸nSp¯ §fpsS sImbv¯pIme\mfpIfmbncp¶p \½Ä ]n¶n« Aizta[§f{Xbpw. cmjv{S{]Xm]w asÁmcp {]Pm]XnbpsS ImÂNph«n Bbm \½Ä Iq«nhmbn¡Ww, A´x¸pc dmWn ]c]pcpjt\mSp kwKan¡m³ t]mIp¶psh¶v. Htc kabw s]®ns³d Xpdp¸pNo«pw \nhr¯nt¡Spw BWXv. ]t£ AhnsSbpw tXmÁXv ]mhw kme`RvPnIamcmbncp¶p. AhÀ¡p ap¶n ]c]pcpjs³d _oPw GÁphm§pIsb¶ KXnsI« hgn am{Xta hn[n¡s¸«pÅp. km{amPyw sh«n¸nSn¨ N{IhÀ¯nsb icochSnhn sI«nbn«v h«w NpÁn¡m³ ]Sbn tXmÁ cmPs³d ]«alnjn¡mhpw. A´x¸pcZmkn¡v AXn\pw ]gpXnÃ. tZicmjv{S§fpsS tImÀ¸tdÁv \w]pkIioe§fpsS ]pcmX\ a\Èmkv{Xw. bp²hnPb§fpsS \mWwsI« _m¡n]{Xw. A§s\ ]e I®neqsSbmhmw t\m«§f{Xbpw.

\qÁnap¸¯nb©v aney³ tUmfdns³d Hcp Smt»mbnUv hmWn`w ]Snªm«v ]ptcmKan¡p¶p. hmÀjnI em`w sNdpXÃ, Ccp]¯ntbgv aney³ tUmfÀ. Atacn¡ `cp¶hcpsS ssewKnIhmk\Ifpw Hfn¨phbv¡s¸« clkythgvNbpsS IYIfpw tNÀ¯v s]men¸n¨nd¡p¶ km¼¯nI cmjv{Sobem`§fpsS \qdpta\n sIm¿p¶ emdn ^vfn³dns³d ]»nt¡j³ I¼\n.

[qÀ¯]p{Xs³d hnIrXamb ssewKnIhmk\bpsS tIheXbà emdn ^vfn³dnt³dXv. sXcsªSp¸pIme¯pw HgnhpIme¯pw sI¶Un apX ¢n³d¬ hscbpÅ {]Xm]nIfpsS clky_豈 A¨Sn¨nd¡n sFIy\m«pImsc ]pfIw sImÅn¨v \mSphmgn¡v Ccp«Sn \ÂIp¶XmWv ^vfn³dv Sm_vtfmbvUv sSIv\n¡v. emdn ^vfn³dv aÄ«n aney\bdmbXpw AÇoe]pkvXIw hnÁn«mWv. thgvNbpsS IYsamgnªv A[nImctI{µ§sf sh¨Snsh¨Sn sR«n¨n«mWv.

^vfn³dns³d lÌveÀ amKkn³ \memas¯ e¡w ]pd¯nd§nbXv cmjv{Shpw s]®pw tNÀ¯ph¨v Hcp InSne³ {]tbmK¯neqsSbmWv. s]®ns³d ImÀIq´en tZi`ànbpsS \nd§Ä Nmen¨v ^vfn³dv A¶v IhÀt]Pv s]men¸n¨p. \oebpw shÅbpw Nph¸pw DÄs¸« ]m{Sntbm«nIv \nd§Ä s]®ns³d apSn\mcn H«n¨v ho¡nen Cd¡nbm GXv Atacn¡\pw sNmSn¡pw. ]t£ hn¸\ XIÀ¯p. 1975 BKÌv e¡hpw ASnapSn InSnew. A¶v ^vfn³dv aÀ½¯v tIdn Ifn¨p. sP.F^v. sI¶UnbpsS hn[h PmIznen³ sI¶UnbpsS \Kv\Nn{Xw IhÀt]Pn ASn¨v \m«msc sR«n¨p. lÌveÀ XIÀ¯phnÁp. hn¸\bv¡v F¶pw Ft¸mgpw s]®ns³d DSp]pShbnÃm¯ ]SwthWsa¶v BhÀ¯n¨psXfnbn¡s¸«p. “What should be in a book to make it a best seller; a girl on the cover and no cover on the girl” F¶p ]pkvXIw hmbn¡p¶hÀ ]dªpXpS§nbXv Np½mXÃ.

tXmakv tPt^gvk¬, sPbnwkv Kmcn^oÂUv, hpt{Um hnÂk¬, {^m¦vfn³ dqkvshÂÁv, sFk³ tlmhÀ, sP.F^v. sI¶Un, _n¢n³d¬ ]«nI \o­§p t]mIpw. clkythgvNbpw {]WbIYIfpw sIm­v Atacn¡sb IpfncptImcn¨ {]Pm]XnIÄ. A[nImchpw, s]®pw tNÀ¨bpÅ Hcp Zzµzam¡n amÁnb ]ecn Nne sXmen shfp¯ P\mb¯hmZnIÄ.

\mSphmgnbpsS clky_豈 Hcp Im]nÁenÌp coXntbm P\mb¯`cWIqS §fpsS am{Xw P·hmk\tbm AÃ. cmP`cWIme¯n\p apt¶ A[nImcw tI{µnIcn¡s¸«nS¯v Hs¶mgnbmsX s]®p th«bmSs¸«p. AXsæn kzmÀ°em`¯n\pth­n A[nImc¯n\p ap¶n DSpap­v Dcnªp \mWwsI«p\n¶p. ]«alnjn¡p ]pdta A´¸pcI\yIamÀ kIecpw AcNs³d kz´w BkvXnbmbn. t]mcm¯Xn\v cmPs³d cYw Dcpfpw hgnIfnsems¡bpw Nn¶hoSpIfmbn. {KmaoWI\yIamsc th«bmSn¸nSn¨v tZhZmknbpw A´x¸pcZmknbpw B¡nbXns³d IYIfmWv Ncn{XamsI. amfh{Kma¯nse cXv\amb s]¬InSmhns\ IhÀs¶Sp¡m³ \oXnam\mb hn{IamZnXy³ Xp\nªndnb \nebv¡v ]mhw ]n.Sn. Nmt¡mtbbpw Ipªmen¡p«ntbbpw Cu IW¡n F§s\ ]gn]dbpw.

]t£ A[nImc¯n\p ap¶nse B s]¬km¶n[yw As¶ms¡ Hcp kqcys\Ãntbmfsa¯ntbm F¶p kwibw. A´x¸pcZmknamscsc¦nepw s]¬hmWn` IY ]dªpthm Bthm? Hcp tImÀ¸tdÁv A[nImc hyhØbv¡pw, kaql¯n\p am{Xw km[yamIp¶XmWXv. Imem´c§fn at\m\nebv¡v kw`hn¨ ]cnWXnIfneqsSbmhWw ]pXnb C\w hmWn`§Ä ]nd¶Xv.

adphi¯v ZnÃn¡p ]dbm\p­v. Nne tdmb tdmam³kpIsf¸Án. tdmkm¸q XncpIn hcp¶ s\lvdqhob³ {]Wbw A¶pw C¶pw C´ym¡mc\v lcamWv. Hcp cmPIob hnt[bXzw. s\lvdqhns³dbpw FUzo\bptSbpw IY \m«mtcsd tI«XmWv. AXp shdpw kulrZambncp¶psh¶pw tI«p. ]t£ Nn{XImcn AarXmsjÀKens\ s\lvdp hÃmsX {]Wbn¨ncp¶psh¶v Hcn¡Â kn.]n. cmaN{µ³ ]dªn«p­v. Hcp ]m¼ns\sbt¶mWw Abmsfs¶ t\m¡p¶psh¶v Bßhnizmkt¯msS sjÀKn ]ckyambn ]cn`hn¨phs{X. Hcp \mtSmSn]m«pt]mse lrZyambncp¶p C´ym¡mc\v F¶pw s\lvdphnb³ {]Wb§Ä, ]mhw Iaem s\lvdphns\mgn¨v.

]t£ Zpc´§Ä am{Xw hnX¨ clkythgvNIÄ A[nImchpw s]®pw tNÀ¶ B Zzµzs¯ ]eh«w `bm\Iam¡n. IpÁIcamb GtXm H¶ns\ Ct¸mgpw AXv HmÀ½s¸Sp¯p¶p­v. Zpcqlamb acW§Ä, ASn¯«n Dudn¡nS¡p¶ A[nImc¯ns³d ]IÀ¨IÄ. Bcp sNbvXpsh¶v D¯cw In«m¯ Iq«_emÕwK§Ä, AXn\p]n¶n \nKqVambncn¡p¶ cmjv{SobapJ§Ä. A§s\ A[nImchpw s]®pw `bm\Iamb Hcp tNÀ¸mbn amdnbncn¡p¶p.

1962 sabv 19 \v sP.F^v. sI¶UnbpsS P·\mfmbncp¶p. thZnbpsS A¶s¯ A{Sm£³ saÀen³ a¬tdmbpw aq¶pamk¯n\n¸pdw BKÌv 4 \v kz´w InS¸dbn XWp¯pdªp InS¶ saÀens³d arXicocw I­v saÀens\ kvt\ln¨hÀ Xcn¨p\n¶p. PohnX¯n Ct¶hsc Xm³I­Xn h¨v GÁhpw \mSIobamb acWcwKw F¶v At\zjtWmtZymKس PmIv ¢a³kv AÀ°i¦bv¡v CS \ÂImsX ]dªp. saÀen³ A§s\ Ncn{Xw am{Xambn amdn.

kzbwlXysb¶v hn[nsbgpXs¸« saÀens³d acW¯n\p]n¶nepw `cWIqS¯ns³d an¶nem«§fp­mbn. {]knU³dv sI¶Un, AtÁmÀWn P\d t_m_n sI¶Un Cu c­pt]cpIfpw saÀens³d acWhmÀ¯s¡m¸w ]eh«w tNÀ¯phmbn¡s¸«p. \nKqVXsb `b\mIamb Hcp kuµcyam¡namÁnb a\pjyhwi¯ns³d shdpw ktµlambn, saÀens³d ZpcqlacWhpw AXn\p ]n¶nse sI¶UnamcpsS km¶n[yhpw ]ns¶ hnkvacn¡s¸«p. kuµcys¯ Bcm[n¡pIbpw ImcpWyanÃmsX sImes¸Sp¯pIbpw sN¿p¶ `cWIqS§fpsS a\Èmkv{Xw ]ns¶bpw s]mXpP\¯n\v Hcp kzm`mhnIXbmbn amdn.

\nt¡mÄ{_uWpw AhfpsS ImapI³ sdmWmÄUv tKmÄUvam\pw sImesN¿s¸«Xv 1994 Pq¬ 2 \mWv. Atacn¡ I­ GÁhpw anI¨ ^pUvt_mfÀ H.sP. kmw]vk¬ Bbncp¶p. {_uWns³d `À¯mhv. 1985 apX 94 hsc \o­ 9 B­ns³d Zm¼Xyw. sImebv¡p]n¶n kmw]vk¬ Bbncp¶psh¶v ]n¶oSv ]dbs¸«p. 95  sF hm­v Sp sS bp F¶ kmw]vks³d ]pkvXIw ]pd¯nd§n. kmw]vk¬ `mcysb sImes¸Sp¯nbXv kXyamtWm F¶Xn\v D¯canÃ. {_uWpw ImapI³ sdmWmÄUpw acn¨psh¶Xv hyàw. sImebv¡p]n¶nse cmjv{Sobw XoÀ¯pw Ahyàw.

A[nImc¯ns³d then¸SÀ¸n Act§dnb asÁmc´yw skbvZv tamUnbptSXmbncp¶p. F«pXhW _mÁvan³d¬ Nmw]y³jn¸v t\Snb tamUn sImÃsN¿s¸«Xv F§s\sb¶Xn\p¯cw sshImsX e`n¨p. sImebv¡p ]n¶n P\tamÀ¨m t\Xmhv kRvPbv knwKns³d ]¦v sXfnhpÄs¸sS Is­Sp¡s¸«p.

kn._n.sF At\zjW¯n ]pd¯ph¶Xv \mSIobamsbmcp {XntImW {]Wbambncp¶p. skbvZv tamUnbpsS `mcy AanXmtamUnbpw kRvPbvknwKpw X½nepÅ cmjv{Sob {]Wb¯n\ncbmbn skbvZvtamUn amdnbt¸mÄ _m¡nbmhp¶Xv, IpÁt_m[anÃmsX kw`hn¡p¶ AcpwsImebpsS ssiXyhpw ]n¶Wnbnse {]Wkm^eyhpw am{Xambn. P·¯ns³d »m¡vlyqadpIfpsS X\nbmhÀ¯\w.

]¯pZnhk¯n\pÅn kn._n.sF. A©pt]À DÄs¸« sIme]mXIkwLs¯ Is­¯n. AanXbpsS hoSn\pÅn \n¶pw Is­Sp¯ Ubdnbn \n¶pw {]WbIY shfns¸«p. cmjv{Sobt\Xmhns\m¸w tNÀ¶v `À¯mhns\ sImes¸Sp¯phm³ XpW \n¶ IpÁ¯ns³d t]cn knwKns\¯pSÀ¶v AanXbpw AdÌv sN¿s¸«p.

BKÌv 26 \v AanXbv¡v Pmayw e`n¨p. sk]vÁw_À 21 \v eIv\u PnÃmtImSXn 10,000 cq]bpsS CuSnÂta knwKns\bpw hn«b¨p. ]s£ ss¢amIvkmWv sR«n¨Xv. sshInh¶ {]Wbw k^eambn. AanXmtamUn IpÁt_m[taXpanÃmsX kRPvknwKns³d ]«alnjnbmbn. {]Wbw, sIme]mXIw, cmjv{Sobwþ{XntImW A¨pX­ns³d ]hÀ ho­pw sXfnbn¡s¸«p.

]n¶oSv I­ncp¶p, IWhs\m¸w XncsªSp¸p {]NmcWthfbn cmjv{Sobþ kmaqlyaqey§sf¡pdn¨v {]kwKw sImgp¸n¨ hIbn ]{XhmÀ¯Ifn CSw Is­¯nb AanXsb. ]m]§sf Hcp ]mSpt]mepw tijn¡msX IgpInamÁp¶ cmjv{SobZ¼XnamcpsS coXnioe§sf.

skIvkpw s]®pw F¶pw Hcp]m[nbmbncp¶p. cmjv{Sob¡mc\pw A[nImc¯n\pw ]´en¡m³ Ipep¡n¡p¯ns³d emLh¯n kv{Xoicncw AS¦embn ]Xns¨Sp¡s¸«n«v \qÁm­p ]eXpIgnªp. H¶pIn th«arKambn. Nmc¸Wn¡v D]m[nbmbn, AsXm¶pansæn Iq«ns¡mSp¸n\mbn kvss{XWXbpsS amÀ¡ÁnwKv s]mSns]mSn¨p. D¯ca[pcm]pcnbnse hmkhZs¯sbbpw \fn\o Paoesbbpw \½Ä ]qhn«psXmgWw. AhcpsS PohnX¯n C¯ncn hn¹hw D­mbncp¶p.

Fgp]XpIfnse tZiobcmjv{Sob¯nepw hÃms¯mcp AÇoe Nphbp­mbncp¶p. UÂln bqWnthgvknÁn hnZymÀ°n\n kpjamNu[cnbpw A¶s¯ {]Xntcm[a{´n PKPoh³dmans³d Xr¸p{X³ kptcjvdmapw X½nepÅ thgvNbpsS IY I­pw tI«pw Fgp]XpIÄs¡mSphn ZnÃn]pfIw sIm­p. s]¬icocs¯ HÁpsImSp¯v cmjv{Sobt\«§Ä t\Sm³ ZnÃn s]mfnÁnIvkns³d XesXm«½bpw A¸\psaÃmw A¶v I¨sI«nbnd§n.

C¶v {]IrXnkvt\lhpw arKkvt\lhpw aq¯v Xe§pw hne§pw tImfsagpXp¶ ]gb _yq«nIyq³ ta\I KmÔnbmbncp¶p kpja Nu[cnsb¶ Pm«v kpµcnsb ZnÃn s]mfnddnIvkns³d hngp¸nte¡v hen¨ng¨Xv. \m¸XpImc³ kptcjvdmapw Iuamc¡mcn kpjabpw X½nepÅ ssewKnIthgvNbpsS AÇoeNn{X§Ä Xs³d "kqcy' amKkn\n sk³dÀkvs{]Uv Bbn A¨Sn¨nd¡nbmWv CµncbpsS ]n³_et¯msS ta\I Fgp]s¯«n P\XmKh¬sa³dns\ shÃphnfn¨Xv.

AXv C´y³ cmjv{Sob¯ns³d ]cnWmaImeambncp¶p. ap¸Xv hÀjs¯ tImWv{KÊv `cWs¯ A«nadn¨v ASnb´cmhØbv¡ptijw A[nImc¯nse¯nb P\XmkÀ¡mcns³d a[phn[p¡mew. ta\IbpsS tPÀWenÌnIv kz]v\§Ä am{Xambncp¶nà kqcyamKkns³d ]ndhn¡p ]n¶nÂ. C´ymalmcmPys¯ ^pSvt_mÄ tImÀ«m¡n BPoh\m´ tKmfnbmbn \n¶ Cµncsb I¿nseSp¡m³ XÁpSp¯nd§nb ta\IbpsS BZy \¼dmbncp¶p kqcy. A[nImc¯n \n¶v ]pd¯mbXn Acniwaq¯v ]pcbv¡I¯ncp¶ A½mbnb½bv¡v acpaIÄ Xr¡mgvN h¨ kvs]jy Kn^vÁn Hcp Pm«ps]¬Ip«nbpsS am\wt]msb¶v Npcp¡w. Jpjvh´vknwKmbncp¶p kqcybpsS I¬kÄ«³dv FUnÁÀ.

If the Kamasuthra has 64 poses of making love, this one certainly had 10 F¶mWv Jpjvh´v F¶ ]{Xm[n]À A¶pX«naqfn¨Xv. ]n¶oSv Jpjvh´v FgpXnbXpw ]dªXpsams¡ tNÀ¯phmbn¡pt¼mÄ C¸dªXv X½nÂt`Zsa¶v IcpXmw. ]s£ P\XmKh¬sa³dn\v Ccp«Snbmb ta\IbpsS HÁaqenbn Hcp hntcm[m`mkap­v. s]®ns\ Icphm¡n cmjv{Sobw Ifn¨Xpw s]®p Xs¶sb¶ tIa¯w. A¶v CµÀ aÂtlm{X F¶ ]{X{]hÀ¯I³ ]dªXmbncp¶p am\yX. Cu Nn{X§Ä R§fptSXS¡w ]e ]{Xtam^okpIfnepw h¶ncp¶p. ]s£ R§Ä {]kn²oIcn¨nÃ. AXv tamis¸« coXnbmWv.

CµÀ aÂtlm{XbpsS B am\yX \mjW sldmÄUpw ta\IbpsS kqcybpw Im«nbnÃ. c­p {]kn²oIcW§fnepw ]Sw A¨Sn¨p. AXneqsS PKPoh³dmans³d {][m\a{´n kz]v\w ]qhWnbmsXr t]msb¶mWv s]cp¸n¨ ZnáY. A¶v P\Xbn DĸmÀ«o ioXkac§fpsS Imeambncp¶p. samdmÀPn tZimbnbpw Nc¬knwKpw PKPoh³dmapw X½nepÅ clkyamb ]Se¸nW¡§Ä sImSp¼ncns¡m­ Imew. ]t£ Hcp cmjv{S¯ns³d {][m\a{´n]Zsa¶ D¶Xcmjv{Sob t\Xmhns³d kz]v\s¯ XInSwadnbv¡m³ HcnS¯cw Pm«v IpSpw_¯nse s]¬Ip«n¡v Ignbpsa¶nS¯mWv A[nImchpw s]®pw D¯aamb Hcp tNÀ¸mbn amdp¶Xv.

ta\I Fs³d PohnXw \in¸n¨p F¶ kpjabpsS ]gbhm¡pIÄ¡¸pdw ta\IbpsS IY XpScpIbmWv. Bb½bv¡nt¸m h\yPohnIfnembn I¼w. ASnb´cmhØ¡me¯v ]mhw P\tImSnIfpsS sNehn Un^³kv hnam\¯n ss]eÁnwKv ]Tn¡m\nd§nb ]gb _yq«nIyq\ns³d aqey{]kwKw adphi¯v s]mSns]mSn¡p¶p.

cmjv{Sw, A[nImcw AXn\nSbnse \nKqVXIfnemWv ]et¸mgpw s]®ns³d CSw. kqcys\Ãnbpw hnXpcbpw sFkv{Iow ]mÀedpw FÃmw krjvSn¡s¸Sp¶Xv CtX CS§fnemWv. AXn NneÀ CcIfmhpw. aÁp NneÀ AdnªpsIm­v apXseSp¡pw. {]Wbhpw thgvNbpw AhÀ¡v _nkn\Êmhpw. cmjv{Sobt\Xmhpw s]®pw ]ckv]cw AdnªpsIm­ct§dp¶ \mWws¡s«mcp sImSp¡Âhm§Â. A¯cw IYIÄ Gsdbp­v.

Adp]XpIfnse Cw¥­n tI«ncp¶ t]cmWv {InÌo\m IoedptSXv. bp.sI. Un^³kv sk{I«dn tPm¬ s{]m^yqtambpw Ioedpw X½nepÅ clky_Ôw A¶v e­³ Smt»mbvUpIfpsS sa\pImÀUn ]Xnhmbncp¶p. it was perfect cocktail of sex F¶mbncp¶p ]gb hntijWw. Hcp kzn½nwKv]qfn \ábmbn \ocmSn\n¶ IoesdbmWs{X s{]m^yqtam BZyw I­Xv. ]ns¶ {]Wbw aq¯v \m«n ]m«mbn. ]s£ IoeÀ AS§nbncp¶nÃ. e­\nse tkmhnbÁv Fw_Ênbnse Chmt\mhns\bpw AhÄ {]Wbn¨p. Bwt¥mþdjy³ {]Xntcm[þ\bX{´_Ô§sf IoeÀ F¶ s]¬Ip«n Ipeo\ambn Iq«nbnW¡nbXv Htc t\c¯pÅ Cu c­p {]Wb§fneqsSbmbncps¶¶v Adnbpt¼mÄ cmjv{S{]Xm]§fpsS ZpÀKXn Xncn¨dnbmw.

]ns¶ F¬]XpIfn e­s³d hnIvtSmdnb³ {]Xm]w asÁmcp {]Wb¯n hiwsI«p. ]mÀesa³dv {]Xn\n[n sl³dn s_ÃnwKvlmapw ]emt_mÀUvkpw Bbncp¶p \mbnIm\mbI·mÀ. ]taebpsS {]Wbw ]ns¶ kvt]mÀSvkv an\nÌÀ ImÀtemkv sambv\nlm³, Bbp[¡¨hS¡mc³ AZv\m³ JtjmKn F¶nhcneqsS ]ptcmKan¨p. Pbv]qÀ apX ]mcokv hsc \o­ ]e {]Wb§fn ]tae \nc´cw cmjv{Sobw Ifn¨p. DZm¯amb cmjv{Sk¦Â]§Ä ]eXpw ]taesb¶ kpµcn¡p ap¶n ap¨qSpw ap«pIp¯n.

tUmWmssdkv F¶ kn\namXmcs¯ aSn¯«nencp¯n t]cptI« ]gb tImfdmtUm sk\ÁÀ KmcnlmÀ«v AÁvem³dnIv kap{Z¯n\p IpdpsI Hcp hnt\mZbm{X \S¯n. bm{X Ignsª¯nb BZyBgvNbn lmÄ«v ]«alnjnsb ssIshSnªp. ]t£ bm{XmhnhcWhpw kvss{XW_mÔh¯ns³d t^mt«mbpw tNÀ¯v anbman lmdmÄUv A¨p \nc¯nbt¸mÄ In«psa¶p a\Ên IcpXnb lmÀ«ns³d {]knU³jy kz]v\w DSªp. F¶ph¨m {]Wbw aq¯v lmÀ«n\v {]knU³dv ]Zhnhsc ssIhn«pt]msb¶p Npcp¡w..

icocs¯bpw skIvkns\bpw Hcp]m[nbm¡n amÁp¶ kv{XoXzw \nch[nbp­v. apwss_bnse Pplq_o¨neqsS DSpXpWnbnÃmsX HmSnb s{]mXnamt_Un¡v icocw F´mbncp¶p? Here I am in all my totality. Those who have leered at women lusted for them and gone through discovery just that little bit more, I say to them. See me I was born in this way. ]nd¶]Sn ]ckyambn HmSp¶Xn C¯ncn D·mZap­v. icocs¯ Hcp cmjv{Sotbm]m[nbm¡n amÁp¶Xns³d ckX{´hpw. s]®ns³d cmjv{Sobw s]mXpsh I®q\ocmWv. {]Xnabv¡v AXv icocamsb¶pam{Xw.

hk´vkmtT, ]WvUnÁv PkvcmPv., I_oÀt_Un, s{]mXnabpsS kplr¯p¡fpsSbpw ImapIcpsSbpw ]«nI \ofpIbmWv. B Xpd¶ {]IrX¯n\p ]n¶n Hcp `qXImeap­v. _meyImet¯Á s]mÅps¶mcp apdnhv. XpWn ]Wns¨dnªv s]mXphgnbneqsS ]ckyambn s{]mXna HmSpt¼mÄ Ipªp\mfnte _emÕwK¯n\ncbm¡s¸« Hcp kv{XoXz¯ns³d C¯ncn {]XnImcw IqSnbp­v AXnÂ.

s]¬ta\nbpsS IpfncnÁp¶ Cu cmjv{SobkZncn XmcXtay\ ssewKnIZmcn{ZyhmknIsf¶p hnfn¡mhp¶ aebmfnIfpsS s]mfnÁn¡ÂþAs¸mfnÁn¡Â apJ§fpw ]eIpdn h¶pt]mbn. taZn\n sh®nemhnepw F´n\v ap«pim´n¡v Hcp Nt{µmÂkh¯nepw am{Xw \naKv\ambn P·Ima\Isf km´z\s¸Sp¯n \½psS Ncn{Xw ssI¿n In«nbXpsIm­v Xr]vXambn. ]ns¶ h«¯n\pÅn Hcp A£cw ]nSn¨ kn\namt]mÌdnepw, aq{X¸pcbnse ssieohÃ`XzanÁp¶ hnPrpw`nX kmlnXy¯nepw \nhr¯nbnÃm¯h³ kv\m\s¸«p. F¶n«pw ]nd¶p Nmt¡m, \oe³, Ipªmen F´n\v HSphn sXmSp]pgbpsS sdmam³dnIv ]m«p¡mc³ tPmk^v hsc. ]nSn¨hs\ms¡ ISnbpw In«n.

B­p ]nd¶t¸mÄ tdmb {_n«\n ho­pw Hcp X\nbmhÀ¯\w. 2007 s^{_phcn 8 \v ]ctemIw ]qInb A¶m \nt¡mÄkvan¯v F¶ t¹t_mbv tamUens³d t{]Xw Hcp t^mt«m{Km^v cq]¯n {_n«s³d Fant{Kj³ an\nÌÀ sjbv³ Kn_vks³d hbÁp¸ng¸p ap«n¨p. a{´n]Zw Hgnªv sNbvh\IÄ¡v am¸psamgn \ÂIpt¼mÄ Kn_vk¬ Hcp kXyhmMvaqew H¸w tNÀ¯p. ""]mSnÃm¯sXm¶pw kw`hn¨n«nsöv''. F´mhpw _Ô§fpsS DZmcXIfn {_n«\pw ]mSnÃm¯ B H¶v? _lmabnse hm«À{^­v am³j\n Hcp ]mÀ¸nSw Xcs¸Sp¯m³ KXnap«nb A¶m \nt¡mÄ, Kn_vksW tXSns¨¶p F¶v asÁmcp IY. s^{_phcn 9þ\v Hcp ^vtfmdnU tlm«Â apdnbn h¨v A¶sb acn¨\nebn Is­¯nbXn ]ns¶ ]¯p\mÄ XnI¨pth­nh¶nà Kn_vks³d IncoSw sXdn¡m³. A¶bpw Kn_vkWpw ^pÄkyq«n tNÀ¶ncn¡p¶ ]Sw Zn {Sn_yq¬ A¨Sn¨t¸mÄ hmÀ¶pt]mbn tdmb {_n«s³d hctWyKÀÆpw ss]XrI§fpw.

HSphn ]dbmsXh¿. tZicmjv{S§fpsS `mhn sXmenshfp¸pÅ Hcp s]®ns³d Npw_\¯n IpSnsImÅp¶psh¶v. AhÀ¡pth­nbmWv almbp²§Ä ]nd¡p¶Xv. ]mÀesa³ddn sUtam{Ikn Ubm\bpsS ]p©ncntbmfw t]mensöv a\pjyhwiw Xncn¨dnªXv ]XnsbbmWv. ]s£ D¯ÀL­n P\m[n]Xykacw \bn¡pt¼mÄ \nba]meIcm _emÕwKw sN¿s¸« KXnsI« s]¬Ip«nIfpsS ]{XhmÀ¯ hcpt¼mgmWv \ap¡v D¯cwap«nt¸mIp¶Xv. B IS¶pIbÁ¯n\v Hcp ¥madpw AhImis¸Sm\nÃm¯XpsIm­v AhÀ¡v cmjv{Ss¯ ]nSn¨pIpep¡m\mhnÃ. \jvSs¸« Hcp PohnXw am{Xamhpw _m¡n.

behind the celebrations

DÕh{]Ir-X-§-fpsS Imhmewapd

Fw.Pn. A\ojv

Bt­mSm­v EXphmbv hs¶¯p¶ Imhmew ]mSs¯ sImbv¯pÕhw; {]IrXnbpsS EXpamÁw, DdbqcÂ, XnaÀ¸v, Bbhpw BthKhpw; ssZh¯mdpw, Ah\h³ IS¼bpw Hs¡ cq]s¸«Xn\p ]n¶n A§ns\ Nne Imhmew Nn«Ifp­v. a\pjy\nÀ½nXaÃm¯ {]IrXamb Nn«IÄ. DÕhw ]nd¡p¶Xv {]IrXnbpw Pohnbpw X½nepÅ _Ô¯neqsS am{XamsW¶v ]dRph¨v Nmªncp¶v \ndªp Nncn¡ps¶mcp Imhmew \ndhv, DÕh§fpsS ckX{´w ]dªv samgnbpsS kmt{µmÕhambn amdnt¸mIp¶sXmcp Imhmew hg¡w, I­Xns\ GÁphm§n XnSw hs¨mcp IXncmbn amdn\n¶v DÕhw hymJym\n¡p¶Xv Hcp Imhmew Nn«. Imhmew \mcmbW]Wn¡À Hcp Jc ]ZmÀ°aà ! Ccn¡p¶ ]m{X¯ns³d kzcq]¯nte¡v amdmSp¶ Pe¯ns³d {]IrXamWXn\v. AsXmcp Imhmew EXpamÁw. hoWpIn«nb Hcn¯ncnt\cw DÕhw ]dªncn¡pt¼mÄ BZyw BcmªXv DÕh¯ns³d thcpIsf¸ÁnbmWv.

DÕhw t£{X¯n am{Xaà a\pjys³d a\Ênepap­v, kmaqlnI PohnX¯nep­v, icocamIp¶ t£{X¯nep­v. AsXmcp AhØbmWv. a\pjy\v BLmjn¡mXncn¡m³ h¿, Hcp hnImcs¯ BtLmjn¡pI, Hcmibs¯ BtLmjn¡pI; \mSI¯n \mSy[À½n Fs¶m¶p­v. Imcyam{X {]kIvXambn ]dbpI F¶Xv hn\nab¯ns³d Hcp hgnbmWv. Be¦mcnIambn s]mSn¸pw sXm§epw tNÀ¯v ]dbpIbmWv asÁmcphgn. B s]men¸n¡en X¶n \n¶pw amdn\n¡p¶ XnI¨pw hyXncnIvXamb Imcy¯ns\m¸w Bßmwiw IqSnIecpw. F¶ph¨m \S¶ kw`hs¯¸Án ho­pw ]dbpt¼mÄ B kw`hw AXpt]mencn¡nsöÀ°w, AXv amwkfamIpw, Be¦mcnIambpw. AXv tIhew Hcp h¨psI«msW¶v ]dbm\pamhnÃ. AXn DÕhamWv kw`hn¡p¶Xv. I¶pImenIÄ¡phsc Cu DÕhap­v. Imcy§sf DÕhs¸Sp¯p¶ hgnbmWXv. hn\nab¯n\v Cu DÕhhXvIcWw A\nhmcyamWv. \mSI¯n Bib§fmWv ]et¸mgpw DÕhhXvIcn¡s¸Sp¶Xv. AXv HdnPn\ens\¡m kwKXn¡v `wKn Iq«pw. DZmlcWw t^mt«m{Km^n, Fs³d AÑs³dtbm Fs³dtbm Nn{X¯n\v R§fpsS bYmÀ° hyIvXnXzs¯ F{Xt¯mfw {]Xn^en¸n¡m\mhpw? Hcp \à t^mt«m{Km^À¡v AXv Hcp ]cn[nhsc km[yamIpw. ]s£ AXn tcJIÄsIm­v Hcp DÕhw kw`hn¸n¡m³ t^mt«m{Km^n¡v km[n¡nÃ. ]s£ cmPØm³ s]bn³dnwKnepw \½psS ayqdÂknepw AXv km[yamIpw. AhnsS a\Êns³d Ne\§fpambn Nn{XImc³ A`ncan¡pw. A§ns\ DÕhw kw`hn¡pw. Cu A`ncacWw bmYmÀ°y¯n \n¶pw hfsc AI¶XmsW¶p tXm¶pw. ]s£ AXv bmYmÀ°y¯ns³d DÕhhXvIcWamWv. AXpsIm­mWv `cXap\n ]dbp¶ "\mSy[À½n', AhØm\pIrXrÀ\mSyw, AYhm AhØbpsS A\pIcWamWv \mSyw F¶p]dbp¶Xv. Hcmsf, coXnsb Hs¡ IemImc³ A\pIcn¡pw. ]s£ AhØsb A\pIcn¡m³ F{Xt¯mfw km[n¡pw. AXn\p km[n¨mse Iebn DÕhw P\n¡q. AhØm\pIrXrÀ \mSyw F¶m tIhemIrXn Aà F¶v A`n\hKp]vX³ ]dbp¶Xpw AXpsIm­mWv. AhØbpsS A\pIoÀ¯\amWv DÕhhpw IebpsaÃmw. AXv kXys¯ ad¡p¶nÃ. kXy¯ns³d Bg¯n sN¶v kXys¯ ImWemWXv. AXv shdpw Be¦mcnIaÃ''.

]pgbpw N§gnbpw hnXbpw kar²nbpw hcĨbpsams¡ PohnX¯nte¡v tNÀ¯ph¨v, X¶n t\m¡n {]IrXnbn t\m¡n ]ns¶t¸mtgm AdnbmsX IY\w \S¯nt¸mIp¶ Imhmew Nn«bnsemcp Xo{hXbp­v. Ac§n timIw hymJym\n¡m³ ]pds¸«p \n¡p¶ NmIymcpsS \n¸nse¶t]mse Xo{hXbpsS Ipeo\amb D¨Ømbn. AXnemWv Imhme¯ns³d DÕhw, icochpw a\Êpw tNÀ¯ph¨v Imhmew apdbn km{µamsbmcp A`ncXn. AsXmcp ka{KXbmWv. `uXnIXbpw BXvaoXbXbpw a\Êpw icochpw F¶pth­ kIeXpw tNÀ¯phs¨mcp hnXs¸men. AXv kXy¯ns³d kq£vaXbnte¡pÅ AXncphn« bm{XbmWv. ]s£ Imhmew ]dbpw, acWtaÁphm§m³ D¯cmb\w Im¯pÅ `o£vacpsS InS¸nepw ASnapSn DÕhamWv F¶v. _menbpsS acWw Ac§n s]men¡pt¼mÄ NmIymÀ¡v DÕhw. Ducp`wK¯n XpS¡SntbÁv acWw hcn¡ms\mcps¼Sp¶ Zptcym[\pÕhw. acWhpw AXv GÁphm§m³ XpS§p¶ Zptcym[\\pw Htc Ømbnbn Htc Ime¯n DÕhamIp¶Xns³d Xo{hX bmWXv. B Xo{hXbpsS Imhmewapd Cuhn[w.

""IYmgvknkns³d, hnImc hntcN\¯ns³d k¦ev]§fn \n¶pw hyXykvX ambn ho­pw P\n¡m\pÅ X¿msdSp¸n\v apt¶mSnbmWv acWw F¶XmWv C´y³ hnizmkw. acW¯n bm{XXocp¶nsö hnizmkw DbÀ¯ns¡m­mWv \½psS ]cyhkm\§Ä. \½psS Zpc´ IYm]m{X§f{Xbpw P·m´c§fpsS Nm{InIXbn \n¡p¶hcmWv. Zptcym[\\p acWw hochmlnbmb hnam\w Xs¶ kzoIcn¨p sIm­pt]mIm³ hcp¶ B hchns³d t\m¡n¡mWemWv. sNbvXpt]mb IpÁ§sf `b¡p¶ a\ÊnÂt]mepw DÕhw. KwKm bap\ kckzXo{Xb§Ä, Xs¶ kzoIcn¡m³ hcp¶ hchns³d ImWen kw`hn¡p¶Xpw DÕhamWv. kmKcanc¼n hcp¶p Fs¶ kzoIcn¡m³ F¶ a«v. tamis¸« IYm]m{Xamb Zptcym[\s\ DÕham¡p¶ `mks³d, B IYm]m{Xt¯mSp A`ncXnbnÂt]mepw DÕhw''

""kpcX¯n\pÅ {iaw \nan¯w \\ª hnbÀ¸pXpÅnIÄ Ct¸mgpw \ns³d apJ¯p _m¡n \n¡p¶p. \obmhs« AkvXan¨pIgnªp....'' B \nanj¯n t]mepw DÕhsa¶v ImfnZmk\dnbp¶p.

""acWw {]IrXn icocmWmw

hnIrXnÀ PohnXapNytX _pss[''

]s£ kky§fpsS DÕhw s]men¡p¶nS§fp­v. AXv kz´w IY ]dbphm³ XpS§p¶ \nanjt¯mfw ]pjvIeamb asÁmcp DÕh\nanjhpw \ap¡v Is­¯m\mhnÃ. kkyPohs³d IbÁnd¡§sf Ipdn¨pÅ PKZojvN{µ t_mkns³d {KÙw hmbn¨ sl³dn _ÀKvk¬ ]dªXv \mfnXphsc hnaqIcmbn Ignª kky§Ä AXns³d IY ]dbm³ Hcp§p¶sh¶mWv''. B IY\§fmWv \½psS EXpamÁ§Ä, {]IrXnbpsS km{µamb DÕhw. {]IrXypÕhw I­ Imhmew C§s\ ]dbpw.

""kky§fpsS DÕhatà hk´w. ininchpw th\epw DÕhw Xs¶. hk´¯n\pÅ X¿msdSp¸ns³d DÕhw. Cu BdpIme§fpsSbpw DÕhamWv EXpkwlmcambXv. aªn IpXnÀ¶pw agbn \\ªpw th\en DW§nbpv \nc´cw kw`hn¡p¶ {]IrXnbpsS \hoIcW¯nemsI DÕhamWv. H¶pw I­p apgp¡p¶nà \½Ä. BhÀ¯\§Ä {]IrXnbpsS tZmjaÃ. AXpambn _Ôs¸«ncn¡p¶sXm¶ns³dbpw tZmjaÃ.''

The smallest sprout shows there is no death, Really

and if ever there was,

it led forward life,

all goes onward outward

nothing collapses”

Hcp ]pÂ\m¼p t]mepw acWs¯ Xncp¯n Poh\p \m\mÀ°w P\n¸n¡p¶ DÕh¯ns³d lcnXm`bp­v \ap¡v aq¶nsem¶v hmÄ«vhnÁvam³. Hcn¡Â emhsbmgpInb a®ns\t¸mepw ]pÂ\m¼pIÄ DÀÆcam¡nbn«p­v. BÂ_Àt«mkpIÄ tNt¡dp¶ s]k^n¡v Zzo]pIfnsem¶n a®n\p lcnXIhNw XoÀ¯XXv tImSn hÀjw ]g¡apÅ ]pÃpIfmsW¶dnbp¶nS¯v {]IrXnbpsS ]qc¸d¼nse DÕhw \½Ä Xncn¨dntb­XmWv.

""a\pjy³ ]nd¶ Imew apX DÕh§sf tamln¡p¶p. t£{Xw h¶Xv ]ns¶bmWv. AXn\pw ap¼v {ioaqeØm\¯v hr£§sf Bcm[n¨ncp¶ a\pjycp­v. amXrk¦ev]hpambn _Ôs¸Sp¯n Nne hr£§Ä¡v ]­pIme¯v \½Ä {]tXyIØm\w Xs¶ \ÂIn. ]meacs¡ms¼mSn¨v {]IrXnsb Bcm[n¨p A¶p\½Ä. AXv BZnamXrk¦ev]amWv. adphi¯v \hamb H¶ns\ ImWpw t]mse Xs¶bmWv \½Ä ho­pw th\ens\bpw hÀjs¯bpw Hs¡ ImWp¶Xv. CXn \n¶pw \½sfSp¡p¶XmWv \ap¡v kn²n¨ Xmf§Ä Hs¡bpw. km[n¡psa¦n tÌPn\p ]pd¯v \mSIw Ifn¡Wsa¶mWv Fs³d tamlw. {]IrXnbpsS DÕh¯n ]¦psImÅm\mWXv. aSp¸nÃmsX Pohn¡m\pÅ t{]cWIfp­XnÂ''.

kacks¸Sens³d DÕh§Ä¡¸pdw ASnapSn \ndªpXqIn \n¡p¶ Hcp P\kaql¯n DÕhw Hcp tk^vÁnhmÂhmbn amdnbXv, {]IrXn¡pw {]IrX¯n\pw \nc¡m¯ _mlyLSI§fpsS hchn ]s¶bmWv. Ddbqcn¸pXpIp¶ {]IrXnbpsS kar²n¡p ]Icambn \½psS _ZepIÄ cq]s¸«n S¯p h¨v \½Ä k½À²§fpw ioen¨psh¶v ]dtb­nhcpw. AhnsS \n¡¡Ån bnÃm¯ a\pjy\v DÕhw NS§mbn, k½À±w ]pd¯phnSm³ ap«pim´n¡v tk^vÁnhmÂhmbn.

""\ap¡v hnckX hcpt¼mgmWv DÕhw tamln¡p¶Xv. hnckX t]mepw Hcp X¿msdSp¸mWv Hcp Bb¯n\pw B¨nen\pw ]nt¶m«p henhv A\nhmcyamWv. Hcp apt¶m«pt]m¡n\v BZysam¶v ]n³hentb­n hcpsa¶v Npcp¡w. ]s£ F´pamÁw kw`hn¨mepw \s½ hnSnsö a«n {]IrXnbpsS Hcp]nSnbp­v \ap¡ptaÂ. DÕhw Ignª Imhmew ISh¯v Rm³ Zp:JnX\mbncn¡pw. Bdm«n\p sImSnbnd§n B\bpw A¼mcnbpsams¡ t]mbnIgnªncn¡pw. R§f§ns\ shůn t\m¡nbncn¡pw. ]¼bv¡pt]mepw Zp:JamWv F¶v a\Ên \nco¡pw ]s£ DÕhw ho­pw hcpw. hn¯p hnX¨v InfnÀ¸n¨v XSsamcp¡n ]ns¶bpw \½Ä sImbv¯p Imew Im¯ncn¡pw. AXv IÁbmbv Iq\bmbv s\Ãmbv amdpw. Irjn Ignªv Imb \ne¯v ho­pw shÅw Xpd¶phnSpw aps¶ sImbv¯nepw IÁsaXnbnepw hnXsbmcp¡enepsams¡bmbn sImgnªp hoW [m\yw sIm¯n ¯n¶m³ ZqctZi¯p\n¶pw Xmdmhn³ Iq«whcpw. ChnsS BÀ¡mWpÕhw? \mSn\p sImbv¯pXvkhw Ignªp. sNt¿­Xp sNbvXv hmt§­Xp hm§n BÄ¡mscms¡ t]mbn¡gnªncn¡pw. CXn\nSbn hnhmlw, t{]aw, AXncp XÀ¡w, ssIt\m«¯n\p hcp¶ Im¡m¯n, {]iv\w hbv¡ms\¯p¶ KWI³ ChcpsSsbms¡ DÕhw Xocpt¼mgmWv [m\yaWn sIm¯m³ Xmdm¸Á§sf¯p¶Xv. F¶ph¨m FÃmw t]mbn¡gnbpt¼mgpw atÁXp Pohn¡pth­n {]IrXn Hcp DÕhsamcp¡n Im¯ncn¡pw. Irjnsb¸ÁnbpÅ \½psS hnizmk§Ä amdnt¸mbn. B amÁsam¶pw kmcanÃ. {]IrXn¡Xns\ms¡ t]mwhgnIfp­v. Asæn Hcp almZpc´¯neqsS FÃmw Ahkm\n¡Ww. F¦neXnepap­v DÕhw, A{XXs¶. AXpsamcp EXpamÁ¯ns³d IW¡n s]Sp¯nbm aXn. F¦nepw imizXambn ChnsS¨neXp­v F¶XmWv bmYmÀ°yw.''

Hcp Imb Xoc¯ns³d N§gnh«¯p\n¶v t{]£I\pw IYm]m{Xhpambn Ifwhn«v Ifwamdn sIm­mSns¸men¨ F®aÁ DÕh§Ä¡nSbnencp¶v a®pw PehpanÁp¶ Imhmewapd XpSÀt¶t]mbn. I­sXÃmw GÁphm§nbhs³d IY\ Xmfw tI«v au\nbmbncp¶ \nanj§Äs¡mSphn Hcp tNmZyw, sshbIvXnIambn GÁhpw \ndapÅ DÕhw Imhme¯n\v Ft¸mÄ kw`hn¡psa¶v ? ""IÀ½amWv DÕhw AXpsIm­v Fs³d DÕh§Ä ASnapSn Ac§nemWv, F\n¡Xv h¨psI«Ã. AXpsIm­v AXn \n¶pw tamN\anÃ'', {]Xo£n¡p¶pansö Imhmew apd samgnbmbn hcpt¼mÄ kw`hn¡p¶Xv Hcp D]{IaaÃ. ]nd¡m\ncn¡p¶ ImhmewapdIfpsS DÕh¯pSÀ¨bmWv.

Wednesday, June 23, 2010

Delivering heavenly hues of emotions

The inner hues of emotions demand an external expression ever. Man, creatures.., nothing left out of that primeval desire to locate the collage of our own emotions in the depth. But it seems that the organic balancing of every natural emotion depends on the color pattern which is happening in all visual sequences of life. There man, has to be the spectator himself of his emotional map re-written in to colors, and he searches his own emotions in every collage at sight. In that way color can be the instinct of finding emotions and all those patterns of color have been fixed by the nature since or before the big bang. Yes, we know the color was synonymous with every substance of nature, naturally. Sometimes, finding the emotions by the colors can be the finding of primeval memories, absorbed from the womb.

Even death and birth equally narrates green and water. Dream or memory of a natural fusion is slowly surfacing up. That fusion has to be the first step of rebirth. It is not a desire of man but an inspiration to be organic. Love, desperation, agony, smiles, fury, compassion, prayer, sex, desire, asceticism, everything comes out of those organic alchemies scattered across that organic spaces of human body. Discovering emotions by the colors is nothing but unveiling organic possibilities of all living substances. When one tries to find it by the colors with support of a technology can be named as photography, in search of unknown premises of natural emotions.

Earth, body, fire, belief, by these elements in the ancient rituals of Kerala, here, A. Mohamed tries to find an undulating terrain of emotions or ancient memories, span across the whole substance of universe, through his lens. The radiance and whispers of colors pertaining to these rituals are not only humanistic; the spark of a divine mystery exuberantly originates out of it and flows across normal human spirit, then losing all concerns of time and space. There happens a mysteriously hidden trip of mind back to the promised world of divinity. In this spiritual sense, the possibility of image begins at the north of Kerala, the epicenter of ritual art forms. The hues of a surprising musical composition with its ethnic imageries, as notations are being generated here. So it is essential for this photographer to appreciate this beauty in its primordial form. The tranquility, mystery and angst of these colors have to be re-interpreted in new way. So he, A. Mohemed, takes this possibility, of exploring emotions by colors from the ritual arts of northern Kerala, as his will.