Delivering heavenly hues of emotions

The inner hues of emotions demand an external expression ever. Man, creatures.., nothing left out of that primeval desire to locate the collage of our own emotions in the depth. But it seems that the organic balancing of every natural emotion depends on the color pattern which is happening in all visual sequences of life. There man, has to be the spectator himself of his emotional map re-written in to colors, and he searches his own emotions in every collage at sight. In that way color can be the instinct of finding emotions and all those patterns of color have been fixed by the nature since or before the big bang. Yes, we know the color was synonymous with every substance of nature, naturally. Sometimes, finding the emotions by the colors can be the finding of primeval memories, absorbed from the womb.

Even death and birth equally narrates green and water. Dream or memory of a natural fusion is slowly surfacing up. That fusion has to be the first step of rebirth. It is not a desire of man but an inspiration to be organic. Love, desperation, agony, smiles, fury, compassion, prayer, sex, desire, asceticism, everything comes out of those organic alchemies scattered across that organic spaces of human body. Discovering emotions by the colors is nothing but unveiling organic possibilities of all living substances. When one tries to find it by the colors with support of a technology can be named as photography, in search of unknown premises of natural emotions.

Earth, body, fire, belief, by these elements in the ancient rituals of Kerala, here, A. Mohamed tries to find an undulating terrain of emotions or ancient memories, span across the whole substance of universe, through his lens. The radiance and whispers of colors pertaining to these rituals are not only humanistic; the spark of a divine mystery exuberantly originates out of it and flows across normal human spirit, then losing all concerns of time and space. There happens a mysteriously hidden trip of mind back to the promised world of divinity. In this spiritual sense, the possibility of image begins at the north of Kerala, the epicenter of ritual art forms. The hues of a surprising musical composition with its ethnic imageries, as notations are being generated here. So it is essential for this photographer to appreciate this beauty in its primordial form. The tranquility, mystery and angst of these colors have to be re-interpreted in new way. So he, A. Mohemed, takes this possibility, of exploring emotions by colors from the ritual arts of northern Kerala, as his will.